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2019-08-21

Wed 21 August 2019

LIVE: TIM PRESLEY’S WHITE FENCE

19:30 - 23:00

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2019-08-21

Upset The Rhythm Presents:

Tim Presley’s White Fence

Live at Oslo, Hackney


Tickets are on sale now from AltTickets.
18+

tim

TIM PRESLEY’S WHITE FENCE, informed by the extreme polarities of punk rock and psych, brings forth songs like no others. Two years on from his solo missive, the sense that something has cratered and someone has walked away, somehow alive, is heavy in the air. With his new album ‘I Have to Feed Larry’s Hawk’, Tim Presley meets White Fence again, and together, they move on. He started writing songs for this album in a small rural town in the UK called Staveley. Tim was staying with Cate Le Bon there during winter. While she was there going to school learning how to build & design furniture out of wood, he started writing on her piano. Tim came back to San Francisco to record, but first he had a fervent dream that Johnny Thunders asked him to be honest & simple with this album, and also why dolphins were not given arms. He booked studio time with a very talented fellow named Jeremy Harris and they worked together out of a studio in the Dogpatch district of SF (owned and run by Paul from the UK band The Bees. Jeremy was able to learn the songs on piano, keys and finesse the parts, including most drums and also record/engineer the whole album. Also playing on the album, is S.F. Mission district native Dylan Hadley who plays drums on two songs: ‘Until You Walk’ & ‘Forever Chained’ and H. Hawkline adding guitar and vocals on ‘Phone.’

With this new record Tim re-learned how to walk. The poppy stomp. He’d been tethered to a hawk, that he must feed on the dot. While ‘I Have To Feed Larry’s Hawk’ has tinges of both sides in its ’60s guitars and whimsical, pastoral folk, however, what dominates is Tim’s ability to pen strange, warm tracks like ‘Lorelei’ that are totally out of step yet tug on familiar melodic heartstrings. Like Syd Barrett or, more recently, Euros Childs before him, White Fence continues to make the peripheries seem oddly accessible. Things really soar when Presley privileges space and simplicity and with this album he’s created a bare-bones, diary like project that bounces between optimism and melancholy. ‘I Have To Feed Larry’s Hawk’ came out on Drag City this January.

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